Ready: New Day, New Year
Past, present, future. We never know the future, of course, and we strive to enjoy and appreciate the present. The present that soon becomes our past.
We are all dying. Day by day, we inch or catapult closer. How much, we don’t know, which only underscores the importance of now, each moment, each day, day by day.
I’m not big on celebrations. I don’t really even like my birthday, for some reason. And I dislike Christmas, not because I’m an atheist (which I am), but because of what it has come to represent. To those who believe in the meaning of the holiday: respect. To those for whom it becomes a time of stress and materialism, I find it gross. And New Year’s, too – not my favorite, because, really, it’s just another day. Not a day to convince yourself that this year, unlike the X-number of years past, you will magically, somehow, muster the motivation you inherently lack to do something you proclaim to be important. No, if it were important, the superficies of a random day’s resolution won’t make you do it. It won’t. You’ll do it if it’s important to you, January 1 – or November 13, or March 4, or whatever – be damned.
One thing I love about the holidays, though, is the time off. I love how people use it as a time to do what we should all probably do more: work less, play more, and appreciate the things that make today – what will soon be yesterday – worthwhile. Worth living.
At the end of each year we get some cool lists. I generally dislike lists, too. Surprise, surprise, I know. Fair enough to wonder: what don’t I dislike? Hard to say. But generally, I dislike things that are stupid and fake. I like things that are real.
The year-end “Best Of” compilations of the arts give me great enjoyment via a nearly endless stockpile of engaging reads, viewings and audio.
The best audio I heard in 2012, or perhaps in my life, was Terry Gross’s interview with author Maurice Sendak. Sendak was born to Polish immigrants, and most of his extended family died in the Holocaust. He grew up to become a celebrated author, winning the National Book Award (among many accolades), writing and/or illustrating over 100 books, primarily children’s books, which often had a dark edge as real as life. Brilliant and real. His best-known work was Where the Wild Things Are.
The piece aired on May 8, 2012 – the day of his death – and it still makes me cry when I listen. Sendak was near the end of his life, he knew that his circle was closing, and his voice and his words conveyed a depth and a poignance and, above all, a beauty that eloquently encapsulates the time that we have. He speaks of life, its futility and its wholeness, its meaning and not, the reality of death and his mind as an artist.
Here is the link to the full audio piece (you can download it there, too, for later listening). Embedded here:
Here, and embedded below, is a brief and beautiful illustrated video that an artist named Christoph Niemann produced with short clips from the audio.
All the best for today, 2013, and every day. When our time comes, perhaps we can speak like Sendak:
“I have nothing now but praise for my life. I’m not unhappy. I cry a lot because I miss people. They die and I can’t stop them. They leave me and I love them more. … What I dread is the isolation. … There are so many beautiful things in the world which I will have to leave when I die, but I’m ready, I’m ready, I’m ready.”